oak and acorn brand (2008)

The California Student Sustainability Coalition has been working since 2002 to fundamentally shift the priorities of the California educational institutions towards ecological and social justice. I worked with the CSSC through the local UCLA chapter, E3: Economy, Ecology, Equity from 2005-2008; as a member of the statewide Executive Committee, I was responsible for identity development + print media (flyers, media kits, etc), and also provided critical feedback while developing a new website.

The CSSC logo visually incorporates:

-The oak tree, representing the California biosphere we call our home;
-The acorn, the seed of the oak tree, a symbol of regeneration;
-The hexagon, one of the strongest and most efficient shapes in nature, the shape of beehives and carbon bonds;
-The torus energy structure, reflecting the dynamism and energy that the organization expresses in its work;
-The initials of the CSSC, incorporated into the foliage of the oak tree;

we lifted candles to the sky as if the stars were interactive (2008)

featured in landscapes of possibility (2013) and at in the voyager update project at space collective: http://spacecollective.org/tank/3542/Final-Thoughts-and-Appendices-on-the-Human-Suit-written-in-a-car-racing-up-Interstate-5-inbetween-nonviolent-actions-and-amongst-the-redwoods

Christmas day, nineteen sixty eight
in the winter twice after the summer of love

on that day
a single photograph encircled the globe. humanity,
no more a brain divided into east and west lobes. it was
the first photo of the earth as a whole. we instantly
saw ourselves as one species whole.

we gave premature birth to global consciousness that day.

when a human child is born, they say, 
their eyes stay fixed and focused
not more than one foot through the space in front of their face
this is precisely the distance 
from their eyes to the eyes of their father's mistress
as they are savoring the milk from her breast

and for one day our eyes were focused on Earthrise
it was no big surprise to those of us who’d just arrived

after birth, soon we notice children's eyes start to wander
they recognize patterns and the world fills with wonder
the eyes develop depth perception, sensitivity to motion
and they turn from their mothers - 

interested in the abstract notions
their absent fathers attached to the celestial motions

and so we, three years after our due date, 
sent a message to the stars
to an unknown species inquiring quietly as to who we are

thus again we turned our backs and all humanity was distracted
our mothers skin we peeled away and fossil fuels we extracted
blind eyes to our plunder like government memos being redacted
we lifted candles to the sky as if the stars were interactive

we say hey kids thought these lighthouses were there
to guide others through the night
to say "hey! somebody there?"
but only distressed vessels carelessly dare
burn their rations of ancient sunlight

a newborn’s pleaing and crying through the night 
to tell its mother that something's wrong
i am crying, 
something's wrong in my world - 
my mother is dying
and i hold today

her last photograph from a satellite flying, and its plain to see
on the print there shine a million candles lifted skyward, crying
out a fiery message of distress 
past the hospital bed to the ether at the universe' end

and this candle is trying to speak not with aliens but with future generations
on behalf of an alien species, baby humans just developing the hand-eye coordination to facilitate the movement by which the woman on the bed will collectively awaken

to communicate this condition in the languages learned during gestation
to send a kernel of information to we who will soon be a mature and native product of speciation

because soon after a child begins to understand 
that sunsets lead to dawns
the trauma of childhood will be repressed 
into the collective subconscious
lessons learned, without memories to linger on

only hospital records 
and photographs 
of our mother 
lighting birthday candles

some hoot euphorically (2007)

michael tank & dustin o’hara, 2007
for university cooperative housing association, los angeles, ca

an analog, interactive experiment in marketing and community memory, complete with anonymous lipstick hickeys and a raucous, publicly editable anagram installation, some hoot euphorically was a bold attempt to think “outside of the box” in book design by literally putting the book into a box. with ikea-like instructions in the dozen primary languages spoken within the co-op community and mass produced technical and textual design, the participant was invited to distort and mutilate the product and thus create their own individual memory of the community through the cutting and pasting of paper – an analog for the mutability of memory as it exists in our own psyches. the product also included a social change manual with community building strategies to increase social cohesion, public empowerment, and joy

4/16: YEARBOOK: PHOTOS TODAY DINNERTIME
4/17: YEARBOOK: HANDSOME PROTO IDENTITY
4/18: YEARBOOK: MODERNITY’S DEATH POTION
4/19: HYPERMEDIA STORYBOOK DETONATION
4/20: IN TOP THEORY, NOBODY RADIATE SMOKE